Amanda Jahn (*1986) fearlessly explores the realms of photography, painting, installation, and sculpture. Her work is a vivid interrogation of how societal narratives collide with individual experiences, all while grappling with the ethical and moral underpinnings of our time.
Infused with the pulse of popular culture and media, Jahn’s creations are sharp and unapologetic. They’re characterized by bold, vibrant colors and a seamless blend of painting and photography, creating a visual punch that’s hard to ignore. Her work often carries a sly satirical edge, engaging with the viewer in a dialogue that’s as thought-provoking as it is visually striking.
In her series 'The Life of Pi,' Jahn dives into themes of survival and the human condition, drawing from the novel's existential undercurrents. The series navigates through the murky waters of desperation and isolation, yet it surfaces with a message of resilience and quiet strength. Meanwhile, in 'Gadi Beri Bimba,' Jahn confronts the recurring specter of conflict in Europe, reflecting on the stubborn persistence of historical violence. Her work doesn't just depict these cycles; it challenges us to acknowledge and understand them, urging a deeper contemplation of the unresolved tensions that define our world.
Jahn’s art is a bold statement on contemporary life, demanding engagement with its layered narratives and complex themes. Through her fearless exploration and vibrant expression, Jahn invites viewers to confront their perspectives and wrestle with the broader ethical and moral dimensions of our shared societal ideals..
My works are complicated stories that can be packed away and taken off the wall.
Bright and heavy, they exist in an unconscious place. I struggle with them, mostly because they force me to look at things I would rather look away from.
What materializes comes from somewhere hidden, but I actively choose the colours.
Sunshine yellow, sky blue, fern green, red; colour has an awesome language and I have always been drawn to it because of its representational ability. My colour choice is a way of ‘slapping a new coat of paint’ on decrepit structures and constitutions - dressing it up to make it easier to look at.